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Prince and Politics In Reagan's America

April 22, 2016 Jordy Cummings
The inner sleeve to Prince's Controversy, 1982

The inner sleeve to Prince's Controversy, 1982

In the face of profound social, political and economic tragedy, it has often been the case that popular musicians, out of a sense of solidarity, put out a song to capture the moment and inspire the movement. It is often the case, by virtue of historic specificity, that these songs don’t date well, their universality caught in the particularity of a given moment. There are a few songs, however, that have outlasted their origins and continue to resonate. Neil Young’s “Ohio,” Bruce Springsteen’s “American Skin (41 Shots)” and, most recently, in the face of the spate of police murder of Black youth, and in solidarity with the Black Lives Matter movement, Prince’s “Baltimore.”

Reminiscent of mid-period Prince and the Revolution, it combines a funkish shuffle in a minor key with vaguely country/western sounding acoustic and electric guitars. The lyrics, while angry, are more sad and resigned than anything else...

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In Commentary, April 2016 Tags Jordy Cummings, funk, rock, neoliberalism, r&b, racism, sexuality

Problematic Boogie: On David Bowie

January 12, 2016 Jordy Cummings

This is NOT an obituary. Indeed this article was written on Friday Jan 8th and Saturday Jan 9th.  It is clear now that the meaning of "Lazarus" on the new record cannot be reduced to the Thin White Duke persona, though it is clear that, of all of his personae, Bowie felt most comfortable staging his death – his final work of art – using the persona of the dying, emaciated mid-seventies iteration of his chameleon-like ch-ch-ch-changes. The very act of planning an album release – including a tremendously disturbing music video of a very sick Bowie – around one’s death seems of a piece with Bowie’s lifelong artistic project…

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In Commentary, January 2016 Tags David Bowie, pop, rock, persona, performance, fascism, Jordy Cummings
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