Here we are. Inauguration Day for Donald Trump. We are through the dystopian looking glass. And now “resistance” isn’t just something that would be nice if it happened. It is a necessity. From working people, from students, from community members, and yes, from artists. By any means necessary.

Trump took the White House for two reasons. 1) The failure of the Democratic Party. And 2) The mobilization of bigotry. America’s “political center,” in the form of the Democratic Party, was unable and unwilling to explain the crises of neoliberal austerity, to mobilize people on the basis of social class and solidarity. This political failure is also a cultural one – of avant-garde and popular culture alike.