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Dance, Dance, Revolution: Exploring Soviet Disco

April 2, 2018 Jordy Cummings
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A specter is haunting the American liberal public: the spectre of Vladimir Putin busting a move.

Accused by a range of liberal public figures of masterminding a plot to elect Donald Trump to the presidency, Putin looks and acts the part, like a “bad guy” in an eighties Hollywood film – all the while cultivating friendships with “good guy,” Steven Segal. Perhaps reflective of his days as an intelligence officer based in East Germany between the rise of Gorbachev and the fall of the Berlin Wall, Putin is enamored with the action aesthetic of the Reagan years.

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In Essays, April 2018 Tags disco, dance, music, radical history

Red Wedge Issue Four: Echoes of 1917

October 18, 2017 The Editors
Left: from the cover of Red Wedge No. 4, "Echoes of 1917." Right: Storming the Winter Palace in Eisenstein's October.

Left: from the cover of Red Wedge No. 4, "Echoes of 1917." Right: Storming the Winter Palace in Eisenstein's October.

It has been a century since the Russian Revolution. The occasion has naturally provoked all manner of commemorations. The establishment calls it an unfortunate sequence of events never to be repeated, the right spits its vicious bile at the memory of a workers’ world, and the Left, to one degree or another, celebrates and analyzes and tries to ask how to make the history come alive again. How to make the dream of total liberation, of workers power and radical democracy, into a reality.

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In Announcements, October 2017 Tags publishing, avant-garde, radical history, class struggle, art, music, disco, literature, criticism, critical theory

Nine Snapshots of Holger Czukay

October 1, 2017 Toby Manning
Holger Czukay.

Holger Czukay.

It’s about time. Not the obvious reaction when one of your heroes dies. But Holger Czukay was all about time. Not just in the sense, as Can’s bass player, of playing in time, though few could better that Czukay (just listen to “One More Night”), but in the sense of sequencing time: ordering and shaping it, as an editor. Between the two approaches, his two roles, Czukay created a sense of time speeding up, time slowing down, time as an elastic, malleable essence. Working against the regulation, the containment of capitalist time. But Holger Czukay is all about time in another sense. Due to both forming a band late – in his thirties – and dying relatively late in musician terms, Czukay’s life spanned a huge stretch of history and culture.

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In Essays, September 2017 Tags experimental, krautrock, neoliberalism, ambient, funk, disco, Popular Avant-Garde, avant-garde

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